Something happened to us

Wart

Something happened to us

Olivier de Sagazan

On stage, a man connected to numerous sensors steps into a two-meter-high test tube. He begins running in place, and his electrocardiogram displays his physiological state in real time. His increasingly intense breathing, body sounds, and voice are picked up by two sound artists who shape the musical tempo live, just as video and light interact with the performer’s condition. In search of a “radicalization of sensory experience,” the performer speaks aloud the words and thoughts that come to his mind. His language falters, his alphabet disintegrates, and madness takes over as he questions the origin of the words forming in his mouth. A profound alchemy emerges, revealing what seems to be an entanglement between the body and the cosmos.

I run every day; running is like an amplifier of presence for me, a time to reconnect with myself and the world. The sound of footsteps and breathing already creates a kind of music and invites the beginning of a dance.

About the Company - WART

Wart and the Panoramas Festival were born in 1997, initiated by individuals who were all volunteers within an association that gave no hint of its future scale. When its members launched the first edition of Panoramas in 1997, the idea was simply to give a strong boost to the musical and cultural scene in the Morlaix area. Twenty years later, through perseverance, boldness, and a knack for spotting promising artists, the association—now highly professionalized—has earned a prominent place in the French music landscape.

Olivier de Sagazan - Performance and conception

Originally trained in biology, Olivier de Sagazan later turned to painting and sculpture, driven by a constant obsession: to question what it means to be alive. From this passion emerged the idea of covering his own body in clay in order to observe the resulting “object.” This experiment gave birth, in 1998, to a solo performance entitled TRANSFIGURATION, which has been performed over 350 times to date. In it, a man progressively disfigures himself with clay, becoming a kind of hybrid being—half man, half beast—in search of his identity beneath the masks, in search of the puppeteer.

In 2021, Olivier de Sagazan was invited to the Venice Biennale Danza to present his performance La Messe de l’Âne (The Donkey’s Mass).

Distribution

Performance and conception: Olivier de Sagazan

General stage manager: Titia Marie

Musician: Alexis Delong

Sound: Rodrigue de Sagazan and Romain Briand

Video: Guillaume Ménard

Lighting: Adrien Oheix

Production

Production : Wart

Theater

20:35 > 22:25shuttle ride included

From July 12 to July 16


Patinoire Route /


Show 21:00 > 22:00
From 15 years old
Full price: €28
Off rate: €19,5
Pro price: €10

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