#GENERATION(S)

Created in 2011 in Montpellier, Le Cri Dévot is a theatre company that explores modern writing through community meetings. Our creations always start with an immersion period in a specific environment, outside of theatres. During these first steps of research, we enrich our points of view by meeting different groups of people (locals, students...). In this way, local projects and shared creations took a central role in the artistic development of the company. The co-writing with participants, along with documenting real speech and testimonies are valuable tools for building our shows.

www.lecridevot.org

Trained at the Conservatoire d’Art Dramatique de Montpellier in 2007 and graduated from a master’s degree in theatre studies at the Université Montpellier III, Camille Daloz founded the company Le Cri Dévot in 2011 and leads a cycle of creation around different mythological rewriting. By broadcasting these shows in several professional festivals, the company continues its work of valuing contemporary writings. The immersion projects allow him to create friendly moments and artistic encounters, to gather words that have become essential in the company’s creation process. This is how he adapts and always invents new links around a topic to free himself from classical models of broadcast. He also continued his work as an actor with La Compagnie Provisoire (Julien Guill) and Les Arts Oseurs (Périne Faivre)

Trained in Montpellier from 2009 to 2012. He is a writer, director and actor particularly driven by contemporary ecological and social issues. From 2012 onwards, he joins Le Cri Dévot and performs in the plays; Ci-Gît, Diptyque Mémoire et Résistance, La Femme De La Photo, and later in Vivarium and La Troisième Vague, plays of which he is a co-author. As part of Les Instantanés, he writes and performs in Alexandre an autobiographical text on sexual and social construction. He is a co-author and co-director of #Génération(s). The year 2022 marks the creation of his company, En Transition Cie, with which he writes and will direct the play ENFIN, an ecological futuristic fable. In the same year, he directs the project Risque, in which he explores climate risk and the possibility of a sustainable future with young people. As part of the ZAT de Montpellier, he is invited by L'Atelline to LABO I.RL, days of pure and fundamental artistic research on our relationship to living beings and the question of hospitality. He is currently leading a territory project on new stories of the future called Et Maintenant ?
In collaboration with the research-teacher Roxane Delle-Vedove and CoBOY, he performs in a gestural conference on biodiversity restoration.
With Le Baril, he directs Ionesco's play The Chairs. Currently, he is involved in the writing, dramaturgy, and co-directing of the upcoming production Eponges, dealing with social domination through work.

Bastien Molines is an actor and performer based in Marseille. Trained at the Higher National School of Dramatic Arts in Montpellier from 2007 to 2009, he also holds a Master’s degree in Sociology. In 2011, he joined the company Le Cri Dévot with which he is still working to this day. He is also a dancer, with Poplité Mobilis, a company founded after a 3 year workshop in contemporary dance at the National Choreographic Center of Montpellier. As a film actor, he plays, among others, under the direction of Raphaëlle Petit-Gille with whom he will shoot her next film.

Allister Sinclair has been living and working in Montpellier since 2015, as an electronic music based musician and artist making installations. In 2013 He graduated from Art school with a Master 2 (five years) at the Ecole Nationale Supérieure d’Arts de Paris-Cergy. His main focus at the time was generative and algorithmic music, he also ques-
tioned the ways music is produced and consumed. He then went on to work on interactive sound installations and improvisational electronic music, within a contemporary dance company called Dodescaden in Marseille, and on various exhibitions. He has since then been composing and performing music and sound design with the theater company Le cri dévot, producing music on solo projects and working with the collective Linge Records.

Écriture et conception Alexandre Cafarelli, Camille Daloz & Bastien Molines
Mise en scène Camille Daloz & Alexandre Cafarelli
Avec Bastien Molines (jeu) & Allister Sinclair (création sonore live)
Création lumière et vidéo Christophe Mazet & Paolo Sclar
Scénographie Sophie Thomas & Etienne Begue (Vaisseau Mère)
Collaboration artistique Jérémy Cateland & Emmanuelle Bertrand
Régies vidéo et son Gabriel Truilhe & Tony Bruneau
Costume astronaute Mylène Gardel & Solange Nourigat (La Costumotek)
Conseils en électronique Pierre Kolle
Administratrice de production Léna von Braun
Chargée de production Margaux Decaudin

Selected with le Printemps des Comédiens.

Realized in the framwork of  BE SpectACTive ! 2 with Occitanie en Scène.

Be SpectACTive! is a large-scale European cooperation project – co-funded by the Creative Europe Programme of the European Union – which operates in  performing arts through artistic productions and participatory practices aimed at involving the citizens and spectators in creative and organizative processes. Its members are European festivals, theatres, cultural organisations, universities and a research center.

Production : Le Cri Dévot

Coproduction : Scène Nationale d’Albi-Tarn, Le Parvis Scène Nationale Tarbes Pyrénées, Scènes Croisées de Lozère, Le Printemps des Comédiens.

With the support of : L’Atelline, Le Kiasma – Ville de Castelnau-le-lez, La Bulle Bleue, L’Albarede, Les 13 Vents – CDN de Montpellier, Kilowatt Festival (Italie) Gothenburg Dance and Theatre Festival (Suède) et International Theatre Festival Divadelná Nitra (Slovaquie). DRAC Occitanie, Région Occitanie, Département de l’Hérault, Ville de Montpellier et la Spedidam.